​In a studio cinema, a man in handcuffs is held at gunpoint as he watches the images on the screen. A map can be seen with a finger pointing to San Francisco. Reporters stand in front of a building, poised to deliver news by loudspeaker; the public waits in fear. The Golden Gate Bridge appears, bathed in green light; a storm rises, the steep streets of the city are entirely deserted. This film’s structure pays homage to Hitchcock’s Vertigo: a dizzying assemblage of images creates a cinematic fantasy that pulls the viewer in.​