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On a business trip to the Cannes Film Festival, Manhee is fired. A teacher named Claire goes around taking photos with her Polaroid camera. She gets to know Manhee and sympathizes with her. Claire is like a person who can see Manhee’s possible future or past selves, through the mysterious power of a beach tunnel. Through taking photos, Claire has acquired the ability to look slowly at things, and to transform objects. Now, Claire goes with Manhee to the café where she was fired. From director Hong Sang-soo, with Isabelle Hupert. Cannes 2017.
Hong Sang-soo
Nasceu em 1961, Seul, Coreia do Sul. Dirigiu filmes como A mulher é o futuro do homem (Cannes 2004), Noite e dia (Berlim 2008), Ha ha ha (melhor filme na mostra Um Certo Olhar, Cannes 2010), O dia em que ele chegar (Cannes 2011), A visitante francesa (Cannes 2012), Nossa Sunhi (melhor diretor em Locarno 2013), Montanha da liberdade (Veneza 2014), Certo agora, errado antes (melhor filme e ator em Locarno 2015) e The Day After (Cannes 2017).
